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Review
[Biewen] offers a lively history of creative documentary radio in his introduction to 19 passionate, instructive, and unexpectedly moving essays by innovative audio journalists and artists who use sound to tell true stories artfully. . . . Invaluable and many-faceted coverage of a thriving, populist, and mind-expanding art form.--BooklistWhat is striking about this collection is how clearly the reader can 'hear' the diverse voices and stories, despite the print medium. . . . A wonderful and accessible read. . . . Highly recommended.--ChoiceAn incredibly important contribution to the field of public media, one that will invite introspection, spark creativity, and hopefully teach people that the first step in learning is listening.--Public Radio Makers Quest 2.0This book is valuable for those who believe radio's future is in the art of storytelling and can be a particularly good resource for students enrolled in radio narrative or radio/audio documentary classes, and a valued tool for faculty teaching documentary, narrative, audio drama, and radio writing.--Journal of Radio and Audio MediaBiewen . . . chronicles this rebirth of the documentary . . . profiling a new breed of radio producers who . . . are willing to get involved with their subjects, reveal parts of their own lives, and paint vivid pictures with sound.--Duke Magazine
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The producers who wrote these essays prove that there's nothing more moving than real, truthful radio. I read a lot of the book in bed and soon heard the voices whispering in my ear: 'Get up. Go record something. Now.' You will feel the same.--Neenah Ellis, independent radio producer and author of If I Live to Be 100: Lessons from the CentenariansReality Radio is a collection of masterful essays by radio's best producers; I feel as though I've had a personal, one-on-one conversation with many of the medium's contemporary heroes. This book will stoke the 'radio fire' in the bellies of its readers.--Rob Rosenthal, independent radio producer and director of the Salt Institute for Documentary Studies radio programThe essays in this book were written by people thinking with their ears.--Rick Moody, from the forewordReality Radio is a fabulous book I wish I could have read when I started at NPR in 1974. It would have shaved 10-15 years off the learning curve discovering how to make great radio.--Bob EdwardsA powerful and illuminating anthology about our most powerful and intimate medium. Reality Radio is a must-read for anyone who feels called to make documentary work or whose imagination and heart are stirred by the sounds of nonfiction storytelling on the radio. A wonderful book!--Dave Isay, founder of StoryCorps and Sound Portraits Productions
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Product details
Series: Documentary Arts and Culture, Published in association with the Center for Documentary Studies at Duke University
Paperback: 224 pages
Publisher: The University of North Carolina Press; New edition edition (March 15, 2010)
Language: English
ISBN-10: 0807871028
ISBN-13: 978-0807871027
Product Dimensions:
6.4 x 0.6 x 9.2 inches
Shipping Weight: 12 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
7 customer reviews
Amazon Best Sellers Rank:
#417,546 in Books (See Top 100 in Books)
If you're involved in radio, podcasting, or even video blogs, this book is worth reading. I liked it because it explained to me what the spoken word can do that other media can't... or can't do well, anyway.If you'd like to make your recordings richer, more compelling, and more interesting to your listeners, learn from the best. That's what you'll find in this book.This book expanded how I look at podcasting, and the kinds of recordings I want to make.I was a little uneasy buying this book, because it seemed a little expensive for stories I might not learn from. I shouldn't have worried. From the first few pages, the "ah-HA!" moments were worth every cent.Before relaunching my podcasts, I'm re-reading this book. I was almost overwhelmed, the first time, because this book wasn't what I expected. Reading it the first time, it was as if someone had lifted the curtain and showed me an entire landscape of ideas and approaches that take recordings into a new dimension.
I have been a listener of public radio and the audio documentary format for many years. I always look forward to stories from NPR and PRX. This is the ideal gift for any fan of This American Life, Radiolab and All Things Considered. With chapters written by the likes of Jad Abumrad and Ira Glass, this gives a real glimpse into not only the inner workings of these shows but the very essence of the ideas leading up to them. This is not just a book for the fan of PBS, it is for anyone interested in storytelling and journalism. With so much of our TV time taken up by cheap reality programming and radio with inflammatory talk shows, this book really restored my faith in the fundamentals of radio reporting and storytelling.
I really dug this book. Like any bios, many of those included in this book offered surprises. (Who'd have thought the great Emily Botein began adulthood as a pastry chef?) I appreciated the great words of wisdom from superstar producer Jay Allison, and the insights of the brilliant young producer - and co-host of RadioLab - Jad Abumrad... The book is a great read. I enjoyed learning the backstories of the many public radio greats that I enjoy listening to each week...
It's not a technical manual, so if you're trying to learn more about recorders an microphones, this isn't the one for you. If you want to know how to build a story, give this a read. Also pick up NPR's book Sound Reporting.
Thanks to "This American Life" and similar shows, audio storytelling has entranced more and more people. Listen closely and you'll hear the hinges squeak as this book opens the door to the world of the magic that emerges when storytellers meld careful listening, writing and speaking.
Brilliant. A "must have" if you are interested in creating radio documentaries. The real stories of radio artists struggling to create the craft and the art of radio documentaries is extremely helpful if you are trying to find your own radio "voice."
No matter: however much I may dislike NPR's political propagandizing, I do recognize that they have raised the audio documentary to an art form. Jonathan Kern's "Sound Reporting: The NPR Guide to Audio Journalism and Production" is the bible of creating this art form. This book is the collected stories, in essay form, of some of those who create the art. Exclusive of the opening and closing essays, there are 18 essays here from creators of audio documentaries. All of them are excellent. There are no dull essays in this book. Each reveals, to one degree or another, the mind of the creator: what drew them to the audio medium, given up for dead in the middle of the 20th Century. What stories they are trying to tell. Often, they include their techniques for producing their audio documentaries, how they let the subjects lead, for example, or how they made the sounds or edited the components to achieve the effect they intended. Some the essays struck me as a bit pretentious, but not overwhelmingly so. On the whole, this is a marvelous book that paints vivid portraits in written words of those who create vivid portraits, most often, in the spoken word. Be sure to check out page 205 for a link to a site containing samples of the essayist's work and much more.Jerry
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